Friday 26 November 2010

The Charlatans Fight to Save Salford Lad's Club

GIGGING: Tim Burgess on stage at The Ruby Lounge


MANCUNIAN rock royalty turned out in force to try to raise enough money to pay for Salford Lad’s Club to run for another 100 years last week.

Headline act, The Charlatans, took to the stage along with guest DJ sets from New Order’s Stephen Morris all in aid of the legendary venue.

Legendary photographer, Stephen Wright, gave music fans the chance to recreate the iconic scene of the Smiths in front of the lads club, as he did originally in 1985.

Lead singer of the Charlatans, Tim Burgess, said: “We don’t do this very often but it’s for a good cause, Salford Lad’s Club. Let’s keep it going for a hundred years.”

The gig was originally scheduled to go ahead at the lads club itself but for unforeseen problems resulting from a fire safety inspection on the listed building.

In search of a venue for the event, put together by Topman CTRL, Manchester’s Ruby Lounge found a date free on the calendar to put on the fundraising gig.

The Ruby Lounge’s venue director, Jay Taylor, said: “We got great feedback. At gigs like that you want the audience and the bands to be happy and both groups were chuffed. It felt like something special.

“Why not support the lads club. It’s not hard to see why it has survived through thick and thin, you’re not open 107 years without doing something right.”

At short notice, the venue managed to put the event together after inheriting the bill and a degree of ticket sales from the lad’s club, attracting a sell-out crowd of around 350 people.

Mr Taylor added: “We were more than happy to step in and tried our best to let people know at such short notice.”

The Ruby Lounge, well known for showcasing up and coming talent, were more than happy to lend the stage to Hatcham Social, whose album Burgess produced, The Heartbreaks and Factory Floor.

The venue change was a positive for the Mr Taylor. He said you don’t have to look for to see why it’s so important, given that over a century of Mancunian music history has been created there.

Salford-born Burgess and fellow band member Mark Collins played an acoustic seven song set, having just released their eleventh studio album.

Cutting their costs, the Ruby Lounge tried to maximise the aid to the lad’s club, with a sum already allocated by Topman CTRL going to the famous club.

Richard Dixon, 20, from Burnley, said: “It’s not often you get to see such a big band, with free drinks, in a small venue.

“Tim Burgess was mixed in with the crowd and chatting with the punters, it was a really personal gig. You can tell he really cares about Salford Lad’s Club.”

The club, which opened its doors in 1903, is still doing great work for the community, with regular exhibitions and events as well as housing one off gigs by stars like Billy Bragg and Liam Fray in recent times.

Also published on www.mancunianmatters.co.uk

http://mancunianmatters.co.uk/content/charlatans-headline-gig-save-legendary-salford-lads-club

Tuesday 23 November 2010

Bury's Christmas Switch-On Goes Snowglobal

HUGE: Snow globe's grand opening


A GIANT snow globe stole the show at The Rock’s first ever Christmas lights switch-on in Bury last week.

The huge Christmas globe, which is five metres in diameter, will be used as an alternative Santa’s Grotto and photo opportunity at the shopping and entertainment centre.

Attracting thousands of people to the shopping centre, the event included dancers from the Northern Royal Ballet’s The Nutcracker, a Take That tribute band and The Rock’s talented Street Star performers.

Nikki Kitchen, The Rock’s marketing manager, said: “It has been absolutely brilliant and better than we could have hoped for. We’re really pleased that everyone’s enjoyed themselves.”

Cast members from The Nutcracker performed inside the snow globe before joining the lantern parade which consisted of local school children and Christmas themed entertainers on stilts.

The Jones family and their daughter Poppy had won a competition to lead the parade and were awarded with £200 to spend at The Rock.

A collection for Poppy, who has cerebral palsy which prevents her from walking unaided, followed the switch-on to help to fundraise for the £40,000 operation she needs in America.

“This has been a fantastic evening, which is the start of a fantastic season in Bury celebrating the old and new developments in Bury,”said the Mayor of Bury, Councillor John Byrne.

“The switch-on is a sign of the town’s confidence and of us having the confidence to say that we are going places and making things happen.”

Artificial illuminated reindeers were also unveiled, grazing on the green roof of Costa Coffee, along with an eight metre-high Christmas Tree and street decorations paying tribute to Bury’s cotton and paper industries.

Northern Royal Ballet dancer, 23-year-old Rachael Gillespie, said: “The night had it all and we’re very honoured to be part of it.

“We’ve all had a really good time and it’s been nice to come to the Rock to be part of whole Christmas experience.”

Fellow Nutcracker performer, Joshua Barwick, 19, added that it was touching and nice to see so many children excited for Christmas and that the snow globe also is a great idea as it appeals to adults as well as children.

A Narnia–inspired catwalk show, coinciding with the December release of the third film from the Chronicles of Narnia series along with band Take That Again also warmed the crowd up on what was a wet and windy Thursday night.

Bury resident, Mark Walker, 24, added: “The night’s been really good, there’s loads going on and I definitely think the event has got Bury in the Christmas spirit early.”

Each of the eight finalists of The Rock’s Street Star competition talent also took to the stage, opening voting for the winner of the £1,000 prize on The Rock’s Facebook page.

The Rock has a ten-screen multiplex Vue cinema, a 24-lane bowling and family entertainment centre as well as eight restaurants including Pizza Express, Frankie & Benny’s and Flaming Dragon.

The performances of X Factor-style Street Star performers can be seen and voted on at The Rock’s Facebook page,www.facebook.com/TheRockBury.

Also published on www.mancunianmatters.co.uk

http://mancunianmatters.co.uk/content/burys-christmas-switch-goes-global

'Street Stars' Competition Kicks Off in Bury

STARS: Competitors take to The Rock's stage


STARS in the making wowed the crowds at a Bury Christmas light switch-on last week in the hope of winning your votes for the Street Stars competition.

The all singing, all dancing acts, who auditioned for the competition at The Rock shopping centre in October, took centre stage to help bag themselves the exclusive prize worth £1,000.

The aspiring stars will be taking turns performing to shoppers every Saturday in the run up to Christmas before voting closes on January 7th and the winner is announced.

Nikki Kitchen, marketing manager for The Rock, said: “They have been absolutely fantastic considering none of them are professional at the moment, there have been some wonderful performances.

“The street dancers and singers were amazing, they should all be on X Factor next year.”

Attracting a crowd of thousands, the Street Stars all played slots on the main stage in The Rock’s St John’s Square, videos of which have been posted online to help voters make up their minds.

The performer with the most votes will receive £1,000 worth of studio time to record their music or top coaching to help perfect their act.

Martin Poole, who has a degree in music, has started his own website on the back of the competition and he feels that the exposure and live practice resulting from Street Stars, has done him a world of good.

The indie-folk singer said: “Tonight has been a cracking event. I think that the competition is a really good idea and something to bring unknown artists to the forefront.

“It’s better than the X Factor, I like that fact it’s much more community based. It would be great to become an individual recording artist one day, having been involved in Street Stars.”

Every Thursday evening and Saturday since the end of October, each of the eight finalists have been performing at The Rock’s designated ‘hot spot’ to perform to passers-by.

Bury-local, Khan Kassine, who goes by the stage name of Krazy Horse and performs in his bare feet, is the oldest Street Stars competitor at age 66.

“It is a great thing that The Rock is helping aspiring artists,” said Krazy Horse. “I just love the way everyone responded to my stuff and how the audience sung my songs in return. I’d love to write for people.”

Several acts auditioned in front of a tough panel of judges from both The Rock itself and local music experts in October, with the judges whittling the performers down to just eight.

Sixteen-year-old singer, Dj Ajayi, who travels from Solihull to perform at The Rock, is currently getting help preparing her own music from legendary member of The Specials, Ray King.

She said: “I definitely want to be a singer in the end but the main thing at the moment is to get some songs together and keep on performing.”

Busker One, Bloco Ashe, Darcie & Paige, Rameez & Shaun, Sammy Bland were also among the performers vying for votes at The Rock’s first ever Christmas switch-on.

Lorraine Barber, from Whitefield, said: “The acts were all of a really good standard and our children have really enjoyed themselves, it’s like Christmas has come early.”

The performances of the Street Star performers can be seen and voted on at The Rock’s Facebook page, www.facebook.com/TheRockBury.

Also published on www.mancunianmatters.co.uk

http://mancunianmatters.co.uk/content/street-stars-competition-kicks-bury

Monday 22 November 2010

German Market Stalls say More the Merrier

CHRISTMAS FEVER: St Ann's Square lit up by markets

PIONEERING German market stall workers voiced their support of another increase in the size of Manchester Christmas Markets after they opened last week.

The Christmas Markets, which began in 1999 with only a few German stalls in St Ann’s Square, have now expanded to accommodate a range of cultures with stalls from all over Europe and beyond.

German traders are now welcoming this year’s new addition of a French Market on King Street, which will be the eighth site, over a decade after proving the idea could be a success for the first time.

Alex Zander, who runs Cologne-based German sweet sellers, Ponzoni-Zander, said: “We have been part of the markets from the start and it’s getting better each year.

“It is good that they are bringing more variety to the market but this area is still all German and it has spread its wings. This is a cosmopolitan market now but the German market is the mainstay.”

The German section of the market includes a Christmas-themed wooden lodge selling ‘Fine German Glühwein & Beer’ along with stalls offering herbal sweets, jewellery, meat, toys and mulled wine.

Daniel Mende, who works on a wooden toy stall in the German Market, said: “Competition is maybe not always great for individual stalls but if it’s bringing more people into the city it is a good thing.”

When Frankfurt-based traders first came over to put on the stalls 11 years ago, only the St Ann’s Square site had any stalls whatsoever, whereas now there are hundreds of stalls on market sites all over the city.

“Every year it gets bigger and bigger and more complicated,” said Ramy Tamam, who sells traditional German salami at the Farm Shop stall in St Ann’s Square.

“It’s good to bring people here and good for Manchester. Mancunians welcome different cultures and the Germans feel more niche, every section of the markets have their own niche.”

This year there will be more than 250 trees and 330 lamp-posts decorated and 28 across-street displays using a total of almost 400,000 low-energy bulbs, adding to Manchester’s Christmassy feel.

Manchester’s German Christmas Markets are open in St Ann’s Square until December 22nd every day from 10a.m. to 7-30p.m. and until 8p.m. in December, with the bar areas open for an additional hour in the evenings.

Councillor Pat Karney, city centre spokesperson for Manchester City Council said: “With so much to see and do right across the city centre, it's no wonder we're people's number one choice for Christmas shopping and festivities."

He added that this year’s Christmas Markets promise to be the best yet as activities across the city appeal to more and more people.

A survey commissioned by Manchester Markets has shown that last year’s Christmas Markets brought around £49.9million into our economy, attracting 1.3million visitors to the city in the process.

Manchester Christmas Market traders employed 1,246 people over the trading period in 2009, with more than half of those positions filled by Mancunians.

German tourist Alfons Görgen, from Trier, visited the German Market for the first time last week.

He said: “This is a really good thing for Manchester, it is the same as Germany but with more attractions.”

For more information on Manchester’s Christmas Markets contact www.visitmanchester.com.

Also published on www.mancunianmatters.co.uk

http://mancunianmatters.co.uk/content/manchesters-christmas-german-market-stalls-say-more-merrier

People's History Museum's Funding to be Slashed

CUTS: Museum facing funding issues


CULTURAL vandalism isn’t a phrase I’ve come across too many times before but on first listen it sounds more like rebellious childhood graffiti than harsh governmental cuts.

But critics argue culture in Manchester could be seriously defaced after non-national museums in the city were told that their government funding will be slashed yearly until its removal in 2014-15.

So what does the future hold for the People’s History Museum (PHM), in Spinningfields, as it looks set to lose all of its £170,000 of annual DCMS funding?

This cuts come partly from how museums are classified as national by the Department for Culture, Media and Sport (DCMS), which relies on whether they were created by the government, not the importance of their collections.

The cuts, which total around 15% of the PHM’s total income, come in spite of the PHM documenting the nationally significant history of democracy and working people in Britain over the last 200 years.

Katy Archer, director of the PHM, said: “Cultural organisations are seen as soft targets and they’re not valued as much.

“But when you’re looking at cuts to education and health instead, it’s difficult for us to make an argument.

“With any financial crisis you need to be confident and passionate but equally you need to be aware of the bigger picture. We’re optimistic but we’re also aware that it’s not going to be an easy ride.”

However, this funding rollercoaster comes after a partly government funded high point in which the PHM received a £12.5million facelift, finally reopening in February this year.

This came before October’s Comprehensive Spending Review revealed that the DCMS itself is set for a 24% budget cut.

Since starting its collection in the 1960s the PHM has popped up in different forms with its latest incarnation featuring a futuristic weathering steel facade that looks like a rusting beehive.

“We were fortunate that we got the money for redevelopment when we did, it wouldn’t happen now on that scale,” explained Ms Archer.

“I think it is a risk not to invest regularly in us as Manchester’s museums do excellent work as a consortium but I appreciate the need to think differently.”

Furious campaigners have since grouped together to sign an open letter addressed to Prime Minister David Cameron, with academics, politicians and union members collectively condemning the PHM cuts.

“At a time when we face huge cuts in the welfare state, the lessons of history that are represented by the PHM are important for all of us,” argued Martin Empson, of the Manchester Right to Work campaign.

“At a time when education is also under attack, institutions like museums have an important role.”

Unionists have taken particular offence to the PHM cuts, as the museum depicts 19th century trade unionism and houses the world’s largest collection of trade union and other banners.

Geoff Brown, secretary of Manchester Trades Union Council, added: “The shift in government priorities is not only unnecessary but a huge gamble.

“The idea that the free market will create an unprecedented number of jobs to replace the million that will go if the Comprehensive Spending Review is implemented is a massive risk.”

Private sector sponsors like The Co-operative and Unison already back the PHM but there are concerns that relying on such support can’t sustain Manchester’s museums long term.

Furthermore the idea that the local government spending review could dent the PHM’s finances even more is leaving a cloud of uncertainty over its future.

But Councillor Mike Amesbury, Manchester City Council’s Executive Member for Culture and Leisure, refutes such claims.

“We have no plans that serve to cut PHM funding although I believe the DCMS cuts are an unprecedented knock on arts and culture in Manchester,” he said.

“It’s nothing but short sighted cultural vandalism. We will now work hard behind the scenes with cultural partnerships and look at shared services and backroom operations.”

He added that sponsorships will fall short of replacing government funding.

Cutbacks have also brought fears that admission fees could be introduced at the museums for the first time, despite the Conservative election promise to safeguard against them.

Ms Archer admitted: “It probably will be a conversation that will come up before 2015 depending on the local government budget announcement.”

In fact the cuts will also affect national museums with their DCMS funding being reduced by 15%, which the department argues will not hamper the protection of free entry.

And the man behind the DCMS statement, Rt Hon Jeremy Hunt, Secretary of State for Culture, Olympics, Media and Sport, has defended the museum cuts.

He said: “While we have had to make a number of very difficult decisions, we have acted in a decisive way that maximises the resources going to the front line.

“Our priority now is to get on with delivering the services the public want over the period of this parliament and beyond.”

Manchester’s National Football Museum (NFM) and Museum of Science and Industry (MOSI) along with the PHM form three of the eight non-national UK museums to have their DCMS funding removed.

Tony Hill, director of the MOSI, said: “We have been aware for some time of the need to diversify our funding. The MOSI now has a separate fundraising department to develop new funding streams.”

The NFM risks losing its funding after Manchester City Council pledged £8million for its relocation to Manchester’s Urbis exhibition centre, along with £2million to be invested in it annually.

“While we would be very disappointed if our DCMS funding was cut, it would not affect the creation and future successful operation of the new museum,” added NFM director, Kevin Moore.

So the future of the PHM is very much in the hands of sponsors and potential suitors, but we are yet to see whether that is enough to sustain it.

Scaling down and cutting back may have to be considered to maintain it, but in fighting for their rights, protestors could yet win back funding like those depicted in the PHM’s exhibits once did.

Also published on www.mancunianmatters.co.uk

http://mancunianmatters.co.uk/content/museum-funding-slashed-essential-cuts-or-cultural-vandalism