Friday 26 November 2010

The Charlatans Fight to Save Salford Lad's Club

GIGGING: Tim Burgess on stage at The Ruby Lounge


MANCUNIAN rock royalty turned out in force to try to raise enough money to pay for Salford Lad’s Club to run for another 100 years last week.

Headline act, The Charlatans, took to the stage along with guest DJ sets from New Order’s Stephen Morris all in aid of the legendary venue.

Legendary photographer, Stephen Wright, gave music fans the chance to recreate the iconic scene of the Smiths in front of the lads club, as he did originally in 1985.

Lead singer of the Charlatans, Tim Burgess, said: “We don’t do this very often but it’s for a good cause, Salford Lad’s Club. Let’s keep it going for a hundred years.”

The gig was originally scheduled to go ahead at the lads club itself but for unforeseen problems resulting from a fire safety inspection on the listed building.

In search of a venue for the event, put together by Topman CTRL, Manchester’s Ruby Lounge found a date free on the calendar to put on the fundraising gig.

The Ruby Lounge’s venue director, Jay Taylor, said: “We got great feedback. At gigs like that you want the audience and the bands to be happy and both groups were chuffed. It felt like something special.

“Why not support the lads club. It’s not hard to see why it has survived through thick and thin, you’re not open 107 years without doing something right.”

At short notice, the venue managed to put the event together after inheriting the bill and a degree of ticket sales from the lad’s club, attracting a sell-out crowd of around 350 people.

Mr Taylor added: “We were more than happy to step in and tried our best to let people know at such short notice.”

The Ruby Lounge, well known for showcasing up and coming talent, were more than happy to lend the stage to Hatcham Social, whose album Burgess produced, The Heartbreaks and Factory Floor.

The venue change was a positive for the Mr Taylor. He said you don’t have to look for to see why it’s so important, given that over a century of Mancunian music history has been created there.

Salford-born Burgess and fellow band member Mark Collins played an acoustic seven song set, having just released their eleventh studio album.

Cutting their costs, the Ruby Lounge tried to maximise the aid to the lad’s club, with a sum already allocated by Topman CTRL going to the famous club.

Richard Dixon, 20, from Burnley, said: “It’s not often you get to see such a big band, with free drinks, in a small venue.

“Tim Burgess was mixed in with the crowd and chatting with the punters, it was a really personal gig. You can tell he really cares about Salford Lad’s Club.”

The club, which opened its doors in 1903, is still doing great work for the community, with regular exhibitions and events as well as housing one off gigs by stars like Billy Bragg and Liam Fray in recent times.

Also published on www.mancunianmatters.co.uk

http://mancunianmatters.co.uk/content/charlatans-headline-gig-save-legendary-salford-lads-club

Tuesday 23 November 2010

Bury's Christmas Switch-On Goes Snowglobal

HUGE: Snow globe's grand opening


A GIANT snow globe stole the show at The Rock’s first ever Christmas lights switch-on in Bury last week.

The huge Christmas globe, which is five metres in diameter, will be used as an alternative Santa’s Grotto and photo opportunity at the shopping and entertainment centre.

Attracting thousands of people to the shopping centre, the event included dancers from the Northern Royal Ballet’s The Nutcracker, a Take That tribute band and The Rock’s talented Street Star performers.

Nikki Kitchen, The Rock’s marketing manager, said: “It has been absolutely brilliant and better than we could have hoped for. We’re really pleased that everyone’s enjoyed themselves.”

Cast members from The Nutcracker performed inside the snow globe before joining the lantern parade which consisted of local school children and Christmas themed entertainers on stilts.

The Jones family and their daughter Poppy had won a competition to lead the parade and were awarded with £200 to spend at The Rock.

A collection for Poppy, who has cerebral palsy which prevents her from walking unaided, followed the switch-on to help to fundraise for the £40,000 operation she needs in America.

“This has been a fantastic evening, which is the start of a fantastic season in Bury celebrating the old and new developments in Bury,”said the Mayor of Bury, Councillor John Byrne.

“The switch-on is a sign of the town’s confidence and of us having the confidence to say that we are going places and making things happen.”

Artificial illuminated reindeers were also unveiled, grazing on the green roof of Costa Coffee, along with an eight metre-high Christmas Tree and street decorations paying tribute to Bury’s cotton and paper industries.

Northern Royal Ballet dancer, 23-year-old Rachael Gillespie, said: “The night had it all and we’re very honoured to be part of it.

“We’ve all had a really good time and it’s been nice to come to the Rock to be part of whole Christmas experience.”

Fellow Nutcracker performer, Joshua Barwick, 19, added that it was touching and nice to see so many children excited for Christmas and that the snow globe also is a great idea as it appeals to adults as well as children.

A Narnia–inspired catwalk show, coinciding with the December release of the third film from the Chronicles of Narnia series along with band Take That Again also warmed the crowd up on what was a wet and windy Thursday night.

Bury resident, Mark Walker, 24, added: “The night’s been really good, there’s loads going on and I definitely think the event has got Bury in the Christmas spirit early.”

Each of the eight finalists of The Rock’s Street Star competition talent also took to the stage, opening voting for the winner of the £1,000 prize on The Rock’s Facebook page.

The Rock has a ten-screen multiplex Vue cinema, a 24-lane bowling and family entertainment centre as well as eight restaurants including Pizza Express, Frankie & Benny’s and Flaming Dragon.

The performances of X Factor-style Street Star performers can be seen and voted on at The Rock’s Facebook page,www.facebook.com/TheRockBury.

Also published on www.mancunianmatters.co.uk

http://mancunianmatters.co.uk/content/burys-christmas-switch-goes-global

'Street Stars' Competition Kicks Off in Bury

STARS: Competitors take to The Rock's stage


STARS in the making wowed the crowds at a Bury Christmas light switch-on last week in the hope of winning your votes for the Street Stars competition.

The all singing, all dancing acts, who auditioned for the competition at The Rock shopping centre in October, took centre stage to help bag themselves the exclusive prize worth £1,000.

The aspiring stars will be taking turns performing to shoppers every Saturday in the run up to Christmas before voting closes on January 7th and the winner is announced.

Nikki Kitchen, marketing manager for The Rock, said: “They have been absolutely fantastic considering none of them are professional at the moment, there have been some wonderful performances.

“The street dancers and singers were amazing, they should all be on X Factor next year.”

Attracting a crowd of thousands, the Street Stars all played slots on the main stage in The Rock’s St John’s Square, videos of which have been posted online to help voters make up their minds.

The performer with the most votes will receive £1,000 worth of studio time to record their music or top coaching to help perfect their act.

Martin Poole, who has a degree in music, has started his own website on the back of the competition and he feels that the exposure and live practice resulting from Street Stars, has done him a world of good.

The indie-folk singer said: “Tonight has been a cracking event. I think that the competition is a really good idea and something to bring unknown artists to the forefront.

“It’s better than the X Factor, I like that fact it’s much more community based. It would be great to become an individual recording artist one day, having been involved in Street Stars.”

Every Thursday evening and Saturday since the end of October, each of the eight finalists have been performing at The Rock’s designated ‘hot spot’ to perform to passers-by.

Bury-local, Khan Kassine, who goes by the stage name of Krazy Horse and performs in his bare feet, is the oldest Street Stars competitor at age 66.

“It is a great thing that The Rock is helping aspiring artists,” said Krazy Horse. “I just love the way everyone responded to my stuff and how the audience sung my songs in return. I’d love to write for people.”

Several acts auditioned in front of a tough panel of judges from both The Rock itself and local music experts in October, with the judges whittling the performers down to just eight.

Sixteen-year-old singer, Dj Ajayi, who travels from Solihull to perform at The Rock, is currently getting help preparing her own music from legendary member of The Specials, Ray King.

She said: “I definitely want to be a singer in the end but the main thing at the moment is to get some songs together and keep on performing.”

Busker One, Bloco Ashe, Darcie & Paige, Rameez & Shaun, Sammy Bland were also among the performers vying for votes at The Rock’s first ever Christmas switch-on.

Lorraine Barber, from Whitefield, said: “The acts were all of a really good standard and our children have really enjoyed themselves, it’s like Christmas has come early.”

The performances of the Street Star performers can be seen and voted on at The Rock’s Facebook page, www.facebook.com/TheRockBury.

Also published on www.mancunianmatters.co.uk

http://mancunianmatters.co.uk/content/street-stars-competition-kicks-bury

Monday 22 November 2010

German Market Stalls say More the Merrier

CHRISTMAS FEVER: St Ann's Square lit up by markets

PIONEERING German market stall workers voiced their support of another increase in the size of Manchester Christmas Markets after they opened last week.

The Christmas Markets, which began in 1999 with only a few German stalls in St Ann’s Square, have now expanded to accommodate a range of cultures with stalls from all over Europe and beyond.

German traders are now welcoming this year’s new addition of a French Market on King Street, which will be the eighth site, over a decade after proving the idea could be a success for the first time.

Alex Zander, who runs Cologne-based German sweet sellers, Ponzoni-Zander, said: “We have been part of the markets from the start and it’s getting better each year.

“It is good that they are bringing more variety to the market but this area is still all German and it has spread its wings. This is a cosmopolitan market now but the German market is the mainstay.”

The German section of the market includes a Christmas-themed wooden lodge selling ‘Fine German Glühwein & Beer’ along with stalls offering herbal sweets, jewellery, meat, toys and mulled wine.

Daniel Mende, who works on a wooden toy stall in the German Market, said: “Competition is maybe not always great for individual stalls but if it’s bringing more people into the city it is a good thing.”

When Frankfurt-based traders first came over to put on the stalls 11 years ago, only the St Ann’s Square site had any stalls whatsoever, whereas now there are hundreds of stalls on market sites all over the city.

“Every year it gets bigger and bigger and more complicated,” said Ramy Tamam, who sells traditional German salami at the Farm Shop stall in St Ann’s Square.

“It’s good to bring people here and good for Manchester. Mancunians welcome different cultures and the Germans feel more niche, every section of the markets have their own niche.”

This year there will be more than 250 trees and 330 lamp-posts decorated and 28 across-street displays using a total of almost 400,000 low-energy bulbs, adding to Manchester’s Christmassy feel.

Manchester’s German Christmas Markets are open in St Ann’s Square until December 22nd every day from 10a.m. to 7-30p.m. and until 8p.m. in December, with the bar areas open for an additional hour in the evenings.

Councillor Pat Karney, city centre spokesperson for Manchester City Council said: “With so much to see and do right across the city centre, it's no wonder we're people's number one choice for Christmas shopping and festivities."

He added that this year’s Christmas Markets promise to be the best yet as activities across the city appeal to more and more people.

A survey commissioned by Manchester Markets has shown that last year’s Christmas Markets brought around £49.9million into our economy, attracting 1.3million visitors to the city in the process.

Manchester Christmas Market traders employed 1,246 people over the trading period in 2009, with more than half of those positions filled by Mancunians.

German tourist Alfons Görgen, from Trier, visited the German Market for the first time last week.

He said: “This is a really good thing for Manchester, it is the same as Germany but with more attractions.”

For more information on Manchester’s Christmas Markets contact www.visitmanchester.com.

Also published on www.mancunianmatters.co.uk

http://mancunianmatters.co.uk/content/manchesters-christmas-german-market-stalls-say-more-merrier

People's History Museum's Funding to be Slashed

CUTS: Museum facing funding issues


CULTURAL vandalism isn’t a phrase I’ve come across too many times before but on first listen it sounds more like rebellious childhood graffiti than harsh governmental cuts.

But critics argue culture in Manchester could be seriously defaced after non-national museums in the city were told that their government funding will be slashed yearly until its removal in 2014-15.

So what does the future hold for the People’s History Museum (PHM), in Spinningfields, as it looks set to lose all of its £170,000 of annual DCMS funding?

This cuts come partly from how museums are classified as national by the Department for Culture, Media and Sport (DCMS), which relies on whether they were created by the government, not the importance of their collections.

The cuts, which total around 15% of the PHM’s total income, come in spite of the PHM documenting the nationally significant history of democracy and working people in Britain over the last 200 years.

Katy Archer, director of the PHM, said: “Cultural organisations are seen as soft targets and they’re not valued as much.

“But when you’re looking at cuts to education and health instead, it’s difficult for us to make an argument.

“With any financial crisis you need to be confident and passionate but equally you need to be aware of the bigger picture. We’re optimistic but we’re also aware that it’s not going to be an easy ride.”

However, this funding rollercoaster comes after a partly government funded high point in which the PHM received a £12.5million facelift, finally reopening in February this year.

This came before October’s Comprehensive Spending Review revealed that the DCMS itself is set for a 24% budget cut.

Since starting its collection in the 1960s the PHM has popped up in different forms with its latest incarnation featuring a futuristic weathering steel facade that looks like a rusting beehive.

“We were fortunate that we got the money for redevelopment when we did, it wouldn’t happen now on that scale,” explained Ms Archer.

“I think it is a risk not to invest regularly in us as Manchester’s museums do excellent work as a consortium but I appreciate the need to think differently.”

Furious campaigners have since grouped together to sign an open letter addressed to Prime Minister David Cameron, with academics, politicians and union members collectively condemning the PHM cuts.

“At a time when we face huge cuts in the welfare state, the lessons of history that are represented by the PHM are important for all of us,” argued Martin Empson, of the Manchester Right to Work campaign.

“At a time when education is also under attack, institutions like museums have an important role.”

Unionists have taken particular offence to the PHM cuts, as the museum depicts 19th century trade unionism and houses the world’s largest collection of trade union and other banners.

Geoff Brown, secretary of Manchester Trades Union Council, added: “The shift in government priorities is not only unnecessary but a huge gamble.

“The idea that the free market will create an unprecedented number of jobs to replace the million that will go if the Comprehensive Spending Review is implemented is a massive risk.”

Private sector sponsors like The Co-operative and Unison already back the PHM but there are concerns that relying on such support can’t sustain Manchester’s museums long term.

Furthermore the idea that the local government spending review could dent the PHM’s finances even more is leaving a cloud of uncertainty over its future.

But Councillor Mike Amesbury, Manchester City Council’s Executive Member for Culture and Leisure, refutes such claims.

“We have no plans that serve to cut PHM funding although I believe the DCMS cuts are an unprecedented knock on arts and culture in Manchester,” he said.

“It’s nothing but short sighted cultural vandalism. We will now work hard behind the scenes with cultural partnerships and look at shared services and backroom operations.”

He added that sponsorships will fall short of replacing government funding.

Cutbacks have also brought fears that admission fees could be introduced at the museums for the first time, despite the Conservative election promise to safeguard against them.

Ms Archer admitted: “It probably will be a conversation that will come up before 2015 depending on the local government budget announcement.”

In fact the cuts will also affect national museums with their DCMS funding being reduced by 15%, which the department argues will not hamper the protection of free entry.

And the man behind the DCMS statement, Rt Hon Jeremy Hunt, Secretary of State for Culture, Olympics, Media and Sport, has defended the museum cuts.

He said: “While we have had to make a number of very difficult decisions, we have acted in a decisive way that maximises the resources going to the front line.

“Our priority now is to get on with delivering the services the public want over the period of this parliament and beyond.”

Manchester’s National Football Museum (NFM) and Museum of Science and Industry (MOSI) along with the PHM form three of the eight non-national UK museums to have their DCMS funding removed.

Tony Hill, director of the MOSI, said: “We have been aware for some time of the need to diversify our funding. The MOSI now has a separate fundraising department to develop new funding streams.”

The NFM risks losing its funding after Manchester City Council pledged £8million for its relocation to Manchester’s Urbis exhibition centre, along with £2million to be invested in it annually.

“While we would be very disappointed if our DCMS funding was cut, it would not affect the creation and future successful operation of the new museum,” added NFM director, Kevin Moore.

So the future of the PHM is very much in the hands of sponsors and potential suitors, but we are yet to see whether that is enough to sustain it.

Scaling down and cutting back may have to be considered to maintain it, but in fighting for their rights, protestors could yet win back funding like those depicted in the PHM’s exhibits once did.

Also published on www.mancunianmatters.co.uk

http://mancunianmatters.co.uk/content/museum-funding-slashed-essential-cuts-or-cultural-vandalism

Thursday 21 October 2010

Condemned Cow Stem Cell Doctor Defended by Patient's Mother

SHAMED: Dr Trossel leaving hearing


THE DEVOTED mother of a severely disabled Manchester Multiple Sclerosis sufferer came out in support of a disgraced stem cell doctor this week.

Chris Holbrook, 45, was treated by Dr Robert Trossel in 2005 for the degenerative disease before the Dutch-trained doctor was struck off by the General Medical Council last month.

Dr Trossel of Stoke Poges, Berkshire, allegedly injected some of his desperately ill MS patients with cow stem cells that carried risks of mad cow disease in unlicensed treatments.

Mother, Ann Holbrook, has looked after her now wheelchair-bound son since MS took over his life when he was diagnosed, aged just 21.

She said: “I really do feel Dr Trossel was trying to help people, he was genuinely doing the best for his patients.

“He believed in the work he was doing and would not intentionally harm anyone. Chris believes, and so do I, that the treatment halted the progression of his MS.”

After 18 years confined to a wheelchair, Mr Holbrook can no longer speak, move or eat unaided, making his journey to Dr Trossel’s Preventief Medisch Centrum in Rotterdam an ordeal in itself.

His mother said that he endured around 10 stretcher lifts, four journeys in private ambulances and a return trip on a private plane all in the space of a day to receive the ground-breaking treatment.

She added that despite the £18,000 round trip, her son, who can only communicate through the movement of his eyes and blinking, felt a tangible difference in his MS.

The difference was so evident to her son that the strong-willed Mr Holbrook has communicated that he would gladly undergo the journey again.

The treatment featured injections of what were promised to be stem cells harvested from umbilical cords and although she received no proof as to their validity Ms Holbrook is now seeking evidence from the GMC that Dr Trossel actually used bovine cells.

“For four years after the treatment he never had a chest problem. The stem cells apparently go to weakest part of the body, which is Chris’ lungs,” she said. “He was different when he came back, he was stronger.

“I think Dr Trossel believed the cells were okay, if I thought he was using bovine cells I wouldn’t have let Chris have the treatment.”

The pair travelled to Holland with fellow MS sufferer Trevor Crabtree, from Barrowford, Lancashire, who issued a written statement in defence of Dr Trossel that was used with other testimonials at the GMC hearing last month.

“He never said that it would cure me, he had honourable intentions,” said Mr Crabtree. “I was treated in a professional manner and the treatment, while not curing me, helped me and I have no regrets in that decision.”

Stem cells are hoped to help repair nerves damaged by the disease but at present such treatments in the UK are illegal, forcing patients to look abroad at expensive alternative clinics.

It is believed that MS affects around 80,000 people in the UK.

Dr Trossel has been in the news since he was the subject of a 2006 BBC2 Newsnight investigation in which journalist Susan Watts, found that the 56-year-old had injected patients with stem cells that were only for laboratory use.

The doctor, who also had an office in London, performed the treatments on the back of a licensing agreement with a firm which later became Advanced Cell Therapeutics (ACT).

Advanced Cell Therapeutics’s South African owners are still undergoing extradition proceedings after being investigated by both the FBI and US Food and Drugs Administration (FDA) for stem cell fraud.

After the GMC’s verdict, Dr Trossel said that during his career as a doctor, he always practised with the objective of achieving the very best for his patients.

Ms Holbrook added: “When you are as disabled as Chris, 10 years is a long time to wait for treatment. We can’t sit around for a decade; he just wants to live again.

“He loves life and I would never let anybody do anything that would hurt him.

Also published on www.mancunianmatters.co.uk

http://mancunianmatters.co.uk/content/condemned-cow-stem-cell-doctor-defended-patients-mother

Eccles Mother Hit Hard by £9k Gallery Bills

UNDER PRESSURE: Bills threaten future

A DESPERATE Eccles mum is appealing for sponsors after she was personally issued with a £9,000 bill for the not-for-profit community gallery that she founded.

Karen Illingworth, 50, was issued the bill by Salford City Council for Eccles Community Art Gallery earlier this year and is under pressure to pay the full amount by December, £2,000 of which was due last week.

After an appeal to waive the back-dated business rates bill was rejected, the gallery is now under serious threat of closure, despite being a community initiative that is free to the public.

She said: “All this is very sad and it would be a sad thing if no-one could sponsor us. I can’t pay the bill as a part time worker, debt collectors will be sent round if nobody comes forward to help.

“Huge amounts of my spare time and money have gone into this. All this is immensely worrying as the bill is not far short of my £12,000 salary.”

The mother-of-two, who works as a research technician at Salford Hope Hospital, added that she spends at least 15 hours a week organising the gallery in her spare time, while supporting two children through higher education.

Since the gallery opened around 18 months ago, they have had around 3,600 visitors, equating to about 60 browsers for every day that the premises is open.

Treasurer of the gallery, Ron Mackie, 60, gives up his Saturdays to volunteer. He said: “I was absolutely shocked when I heard of it.

“When you break down the bill, it equates to the gallery having to pay £250 for every day we’ve been open, which is extortionate.”

The gallery, which is in Eccles Shopping Centre, Boothway, only costs £1,500 a year to run, with the premises opening to coincide with the centre’s farmer’s market every Saturday from 10a.m. until 4p.m.

The gallery opened after Ms Illingworth impressed locals with a stall on their 2008 continental market and it has since been a hub of community art events and she is keen to expand to help even more community groups into art.

Support for the gallery has come from high places including Eccles Councillor, John Cullen, and Salford MP, Hazel Blears.

“Please do rest assured that Hazel is fully supportive of Karen,” said a spokesman for Hazel Blears MP. “The gallery is a fantastic addition to the local community.”

The popular gallery has invited local groups like Friends of Eccles Station, Friends of Patricroft Station, local schools and the Links Resources Centre to exhibit their work since its opening.

Amateur artist, Joan Bethell, from Eccles, was taking part in her first public exhibition. She said: “We haven’t got anything else like this in Eccles.

“It should be given help, especially with all the empty shops in the town.”

Last weekend, the gallery’s Painting the Town competition, invited entrants had to create work that represented Eccles to them and was judged by acclaimed Manchester artist, Geoffrey Key.

Moira Glover, from Walkden, was a first-time visitor to the gallery, she said: “More people need to know about this place and it really should stay open. I really hope some sponsors come forward.”

For more information or to donate to the gallery please contact Karen Illingworth on 07981791475 or email ecclescommunityartgallery@yahoo.co.uk.

Also published on www.mancunianmatters.co.uk

http://mancunianmatters.co.uk/content/eccles-mother-hit-hard-%C2%A39k-gallery-bills

Monday 4 October 2010

La Roux Surprise a Wet Piccadilly with Secret Gig

WEATHERPROOF: La Roux entertain soaked crowd


CHART-TOPPING band La Roux surprised Manchester by playing a secret gig in Piccadilly Gardens on Friday evening.

The Mercury Prize nominated band wowed the crowd, playing hit singles like ‘In For The Kill’ and ‘Bulletproof’.

Over 2,500 people braved the weather to attend the free gig which took place from a box-shaped billboard that was transformed into a stage for the show.

The billboard, advertising the launch of the new Nissan Juke, was placed in the gardens on Monday and mysteriously read ‘be here at 8pm Friday’.

The event was hosted by Nissan and their spokesman heralded the night as a great success and a fantastic way to launch their new car.

He said: “It was great to see so many people turn up to help celebrate the launch of the Nissan Juke. Their energy really added to the occasion.”

Throughout the week radio station Key 103 encouraged listeners to guess ‘what’s in the box’, by gradually revealing cryptic clues with one lucky entrant winning a £1,000 prize.

Clues included ‘it’s very stylish and also a little bit French’ and ‘there is no chance of stage fright on the night for this red haired wonder’.

Lead singer, Elly Jackson, had a great relationship with the crowd throughout the gig and even sheepishly told fans about her latest mishap.

The red haired diva recently injured her ankle and was told by doctors not to dance during the show although that didn’t stop her dropping a few moves.

Jackson has certainly been in the wars this year, with La Roux having to cancel part of their American tour after she struggled with bronchitis and a throat infection.

The Nissan spokesman praised the energetic electro-pop princess. He said: “Elly was great, despite damaging her ligaments before the gig, she had a wonderful rapport with the audience.

“Judging by the smiles on everyone’s faces, everybody seemed to enjoy the show.”

Prior to the show DJ Rebekah warmed-up the growing crowd playing an electro-dance set from some huge speakers in the boot of a Nissan Juke on stage.

La Roux fanatic, Dean McDonagh, was overjoyed to find the group playing. He said: “I’ve had an amazing night.

“It’s really made my day just walking through town and stumbling across La Roux playing, especially as the gig was free too.”

To celebrate the launch of the Juke, Nissan are planning a roadshow that will be travelling to London, Leeds and Liverpool. Nissan are currently in the process of approaching artists to perform at the events.

For more information about the Nissan Juke and related upcoming events visit www.nissanjuke.co.uk or follow them at www.twitter.com/get_juked.

Also published on www.mancunianmatters.co.uk

http://mancunianmatters.co.uk/content/weatherproof-la-roux-surprise-wet-piccadilly-secret-gig

Wednesday 29 September 2010

HOMECOMING: The Answering Machine play Manchester

A QUIRKY converted institute attic is the vintage homecoming venue for Mancunian indie-rock band, The Answering Machine.

On a frosty Monday night, you can understand why there’s no massive queue outside but on arriving at the gothic-looking Deaf Institute, Manchester, just in time for Foals-inspired support act, Rapids!, the crowd looks notably disinterested, standing a good 10 feet from the stage. Things can only get better in terms of atmosphere at least.

Clad with stain glass windows, stacked speakers, some banked velvet seating and a humungous disco ball, an interesting gig definitely looks to be on the cards inside this human-sized cuckoo clock of a venue.

Having supported the Manic Street Preachers on tour last year, expectations of the group, signed to Heist or Hit Records, are definitely quite high. In fact the band formed back in 2005 just across the road from the venue, at the University of Manchester.

Walking out to their trademark on stage thick set TV screens, ditching a jumper reminiscent of Christmas 1986, frontman Martin Colclough wastes no time in getting to the good stuff with ‘Oh Christina’ from debut album, ‘Another City, Another Sorry’. Straight from the off, the guitars sound crisp, and Colclough is on the edge of the stage yearning for a sing along, warming up nicely for the bigger tracks.

Trying to rally the home crowd, Colclough actually asks the crowd to step closer to the stage but instead they look like middle-aged lambs to the slaughter during the early songs in particular. They break out into applause after the music stops however as if they’re playing impromptu reverse musical statues.

Sipping an energy drink, the band launch into the winding and utterly catchy ‘Obviously Cold’. Immediately when the band hit the chorus, you cant help but think, ‘how is this track not massive?’. It’s upbeat, jumpy, rhythmic and the band is tight, with a lead singer who sounds like a young Grant Nicholas from Feeder at times.

Then you turn to look at the crowd and they look like they’re listening to Mick Hucknall rap to Lady in Red by Chris De Burgh, they look totally out of the zone. In fact the most cringing moment occurs when the singer tries to get the crowd clapping, to an unsurprising, stone faced non-reply.

The massive disco ball dominating the creaky wooden roofing, shimmering on to the glum face of the timid Ron Jeremy look-a-like at the front of the crowd, sums up the eerily cold crowd reaction.

But a couple of tracks thrown in from their upcoming second album, such as ‘3 Miles’ and new single ‘Animals’ grace the up to now faultless set, lightening the mood somewhat. There’s definitely potential here. The former’s searching riff, thick bass and lovely high pitched vocal just works, as guitarist, Pat Fogarty, busts out an odd fluorescent blue mouth organ mid-song.

‘Animals’ is a calmer offering, with a catchy yet low tempo melody, but you cant help but think that a younger, up-for-it audience would have eaten up the tracks on offer.

The undoubted highlight of the night is the mid-set appearance of their third single, ‘Lightbulbs’. With its rocky guitar-ridden melody and punchy chorus, the crowd even joins in a little, singing, “Her eyes just pop like lightbulbs and no, we can turn this, we can turn this round.”

The sweat ridden five-piece sign off with the FIFA 10 anthem, ‘It’s Over, It’s Over, It’s Over’. It charms the pants off you with its hopeful Manics-esque “Ahhhhhhhhhh’s” and rocky underbelly. But inexplicably, it is still not enough to get much more than a flinch out of the crowd, who at times could have been confused for extras from Shaun of the Dead.

On this showing, The Answering Machine are a tight, well drilled band with bags of ability and a selection box of catchy, intelligent tracks. Considering it was for over 18s only, the entrance policy may have been a bit misjudged but that by no means takes away from the band’s ability to smash out a great live performance.

With the right crowd, tonight could have been a classic gig. The quirky venue, creaky floor boards, good support bands and a top quality live performance from a precise group are all ingredients tainted by an aged, conservative set of punters. If it is foot-tapping, upbeat, indie tunes that float your boat, this band is a must see.

Also published on www.virgin.com

http://www.virgin.com/music/reviews/the-answering-machine-live-review-manchester-deaf-institute/

Hyde Welcomes the Spice of Asia

ASIAN SPICE: Council backed markets given Asian touch


HYDE’S first ever all singing, all dancing Asian market attracted over 3,000 shoppers last Thursday.

The newly themed market had a massive 77 stalls open for trading as opposed to Hyde outdoor market’s usual Thursday subscription of around 13 traders.

To attract new traders, Tameside Council’s economic development unit has heavily subsidised the stalls and they now cost from just £12 a day.

The event, which featured everything from Indian dancing to Asian cooking demonstrations was a huge success, breathing new life into the town’s market grounds.

Councillor David Sweeton opened the new market. He said: “This vibrant new market is a great opportunity for everyone in Tameside to celebrate the wide array of culinary and cultural traditions right on our own doorstep.”

The event was aimed as much to provide local people with a cultural market as it was to help nearby small businesses to increase their profits as a result of the market’s increased trade.

Council marketing officer, Dean Thurlow, said: “It’s all about giving people value for money and bringing the community together through the mixed background of traders.

“Virtually every ethnic group is represented here every week or two.”

Mr Thurlow explained that the council is keen to give the large Asian and Bangladeshi community a local market, as people were leaving the area to go to competing sites in Longsight and Oldham.

A wide variety of new and old traders set up shop at the market selling spices, saris, jewellery and a lot more, to mark an exciting new era for Hyde’s Thursday markets.

Kalsoom Ali, a regular trader at Ashton’s award winning farmer’s market, wowed the crowds with her Asian cookery demonstrations.

She said: “This really has brought the community together; I’ve never seen so many local Asian people out in force.

“We’ve had interest from loads of locals, both Asian and English, and it has done wonders for the outdoor market already.”

Mrs Ali, who often trades her homemade samosas, paratas and chapatis on Hyde’s neighbouring indoor market, added that she’s now considering joining in with more Asian markets.

Council officials are already looking as far forward as next year, hoping to make the Asian market a lasting fixture in Hyde’s famous market program following its early success.

The market brought in new customers from all over Greater Manchester like Sushila Kotecha, 62, from Newton Heath. She said: “It’s a great idea for people locally and it should be even busier in summertime.

“This is the first time I’ve been to Hyde. I came down just for the new market and hopefully it will bring more people to the area.”

Hyde’s town centre has been the scene of a flourishing market since 1848 and this latest incarnation is hoped to bring a new audience to the historic site.

Located just off the M67, the market grounds are open 8.30am to 4.30pm, Wednesday to Saturday and sit directly across from Hyde town hall.

Anyone wishing to get involved with the market by way of renting a stall should contact the council’s market office on 0161 342 3338.

Also published on www.mancunianmatters.co.uk

http://mancunianmatters.co.uk/content/hyde-welcomes-spice-asia

Tuesday 28 September 2010

Live Review- La Roux Mystery Box Gig

ON SONG: La Roux excite the Manchester crowd


IT'S not everyday that Manchester city centre is littered with 4x4s on massive plinths and a huge Nissan themed box. But tonight you can't help but think that the hundreds browsing the delights of Primark, left running for the exits by the bassy tremors of booming electro coming from Piccadilly Gardens, are in for a good night.

An intrigued if not slightly expectant Mancunian audience awaits the chance to find out what’s in the Nissan Juke Mystery Box after having their shopping interrupted.

Warm up act, DJ Rebekah, ignites the crowd with spine tingling bass from her electro dance set with some foot tapping mixes that really get the crowd up for seeing the mysterious main event. She does drop in a few mainstream hits, like the brass based cheese-fest that is ‘We Speak No Americano’ by Yolanda Be Cool and DCUP. But on the whole her high tempo electro-techno fusion set really attracts the punters despite the odd slice of cheddar.

The curtain is finally drawn back and the stage lays empty. After a week worth of being drip fed clues, the cat is finally out of the bag, or should I say box, and it’s the Brixton based 80s throwbacks La Roux that are hitting the gardens this freezing Friday night.

The speakers, run ragged by the bassy warm up, are boomed back into life as iconic red-head lead singer, Elly Jackson, bounces into the limelight to hit single ‘I’m Not Your Toy’. Adorning a coat that looks like she’s giving a gorilla a piggy back, the 22 year-old really gets the crowd going and growing. But it seems that early on the cold has hit her throat as much as anything and you can’t help but think that she’s either not warmed up properly or she’s been eating sandpaper.

Debut single ‘Quicksand’ and its bouncy keyboard melody then really exposes her voice, she’s energetic as ever but just sounds stretched. Eeking out on the high notes, it’s not a good sign so early on in a gig as she cries: “Am I your possession, am I in demand.”

She prowls around the stage bucking her massive red side quiff like a cross between the pink panther and some sort of leather clad futuristic rooster as she flings off her bear rug of a coat. But she’s not comfortable, admitting to the crowd that she’s torn three ankle ligaments, limiting her dancing. The banter boys in the crowd were quick to suggest the ‘migraine skank’, which she thankfully doesn’t but it can’t stop her rhythmically hobbling around the stage.

Jackson leads the line really well, with some quality vocals as the band gets into its stride. Take funky synth album track ‘Colourless Colour’ for example, she hits all the right notes and leaves the baying crowd wondering how such a quality tune isn’t a single, as she sings: “We want to play but we have nothing left to play for.”

The enigmatic Jackson, backed up by a three piece band which includes the beanpole enthusiasm of drummer, William Bowerman, who bears an uncanny resemblance with Alphabeat front man Anders SG (especially during La Roux’s fittingly named track ‘Fascination’). The gig is as much of a visual spectacle as a showcase of the music, with eye catching neon and strobe lights and elevated keyboardists wowing the packed crowd.

The atmosphere is a strange one though, clearly a lot of the people who have turned up half way through had no idea that the gig was happening, so they probably aren’t all ardent La Roux fans. But by the time her trademark tune ‘In For The Kill’ kicks off, the crowd are jumping and beach balls are flying all over the place, even Jackson smashes the odd volley.

She’s backlit by some epic lighting and shows that the croakiness from earlier has long gone during an angelic interlude where she shows off her flawless range. All of this before hopping back into the trademark track’s high pitched synth backed chorus, singing: “I’m going in for the kill, I’m doing it for the thrill.”

The band, who are getting set for a re-scheduled US tour this November, have definitely given the crowd something to shout about and by the time farewell track, ‘Bulletproof’, comes on more than 1,000 people have packed the gardens. Despite a slow start, it’s all there to see that La Roux are a tight live band with vocal range and catchy tracks.

Having found out what was in the box, it’s safe to say that gift wrapped La Roux were far from an unwanted early Christmas present, but more of a welcome surprise.


Also published on www.virgin.com


http://www.virgin.com/music/reviews/la-roux-live-review-mystery-box-gig/

Wednesday 15 September 2010

Album Review: Mt. Desolation - 'Mt. Desolation'

SUPER GROUP: Mt. Desolation try to live up to super tag

FOLLOWING the likes of Jack White’s Dead Weather and Josh Homme’s Them Crooked Vultures, Mt. Desolation are the newest so called super group, this time spawning from humble beginnings of synthesized piano lovers Keane.

Taking guest offerings from eleven other musicians from the likes of Mumford & Sons, Noah and the Whale and The Killers, this is anything but a piano rock mixtape. Keane’s Jesse Quin andTim Rice-Oxley have instead brought these bands together in a celebration of country music... yes, country music.

Nevertheless there are some beautiful tracks on this album like the mesmeric first single, ‘State of Affairs’, which combines Quin’s emotive vocal with a swirling violin and The Killer’s Ronnie Vannucci adding some sultry soft percussion to create this record’s delicate stand out track. The instruments build to a cinematic crescendo with an added almost medieval sounding guitar before Quin continues on his melancholic journey, singing: “When the weather turns and blue skies reappear when you’re pressed, fallin’ and you climb Mount Desolation yet again and you find we’re all just ordinary men.”

Another sure fire hit is the Springsteen inspired, ‘Annie Ford’. A story of love and loss that is wearing a metaphorical leather jacket and cowboy boots, this song has a tinkling piano adding to an ever-present rocky lead guitar and Quin’s gritty vocal.

‘Bridal Gown’ is the next of many quality bluesy love songs, chugging along with a slow, layered sound highlighted by Oxley’s strained lead vocal that rings of the Guillemots' Fyfe Dangerfieldduring the high notes. The song winds with the aid of a soft piano and enchanting violin as he emotionally sings: “Until the moment I saw you in your bridal gown, I just assumed that you would always be around.”

Unfortunately there are some cringingly clichéd fillers on this record, probably the most difficult to listen to is the line dancing juggernaut that is ‘Platform 7’, a track that single-handedly detracts from this album. Think of everything you don’t like about English country music and this song has it; a heavily strummed guitar and bouncy piano, an overblown American accent, and yes… a ‘yeehaa’.

‘Midnight Ghost’ is another typical country song that feels like it’s trying too hard. About lonesome travelling through American states, which are named one by one to a slow drum beat, strained piano and what sounds like an old church organ, you feel like your on the set of a strange British remake of the Dukes of Hazzard.

The idea for Mt. Desolation came over a quiet pint in a pub, purely fuelled by Oxley and Quin’s love for country music and in a way it’s as if the pair are playing musical dress up as they go from being Johnny Cash to Bruce Springsteen and back again.

But it must be said, Mt. Desolation’s self titled first album is a mixed bag of charming country inspired tunes and hard to take seriously line dancing tracks. And it is the self gratifying love for the music that has been created that makes this collaborative country collection well worth a listen despite the odd rogue.

6/ 10

Also published on www.virgin.com

http://www.virgin.com/music/reviews/mt-desolation-album-review

Friday 3 September 2010

Album Review: Chief - 'Modern Rituals'

MODERN RITUALS: Debut album out to impress

WITH roots bedded deep in Santa Monica, California, as well as in New York City, Chief’s debut album is a bi-coastal, self proclaimed “traveller’s record”. Influenced by the likes of Neil Young and The Byrds, the quartet came out of nowhere to secure a high profile record deal with Domino before teaming up with Grammy Award-winning producer Emery Dobyns on their first record. So they must be good... right?


Well guitarist, Danny Fujikawa says that he naturally felt like driving down the Pacific Coast Highway when listening to 'Modern Rituals' and it’s not hard to see why, with expansive country sounding riffs in songs like ‘Wait For You’. A clever mixture of strummy acoustics and plucked electric guitar sounds along with a dominant drummer combine with Evan Koga’s fresh vocal to create the first of many dramatic tracks on this record.

The album’s highlight is the single ‘Night & Day’, a dramatic tale backed by driving drums and Koga’s soaring vocal. A soft instrumental start to the song is pierced by Koga’s echoed voice as he sings: “I see, see, see you about every night, but my heart don’t, it don’t feel right.” The song builds and builds behind a shimmering guitar before launching into an irresistible prayer-like chorus.

‘Breaking Walls’ is the second single to come from 'Modern Rituals' and is crammed with delicate tinkling guitars, Koga’s pure yet deep vocals and a rocky chorus reminiscent of aussie folk rockers, The Church. This is a cracking driving song, with a folky guitar solo, you can’t help but want to get in your car and join a long road to nowhere, as Koga sings, “now it will fall, it will fall, it will be falling if I’m breaking walls”.

The band also show their melancholic folk leniencies with the dreamy low tempo, violin clad, ‘Irish Song’ and the harmonic, ‘In The Valley’. ‘This Land’ is also a slower offering, this time with Fujikawa’s soft vocal combining beautifully with an Oasis-style rocky riff embedded in the verses.

This record is littered with soaring vocals and gleaming guitar melodies, but at times the hooks aren’t quite as catchy as you might hope. In many cases the choruses are quite long, almost tribal chants like on ‘Nothing’s Wrong’ where Koga sings, “when we go back alone, take me with you don’t be cold, you can call me on the phone and the weather gets dark you know”.

But this album is more than the odd catchy chorus. It’s a cohesive record brimming with beautifully layered instruments that take you on a journey, supported by classy harmonies that The Beach Boys would be proud of.

The new age folk rock success based around groups like Band of Horses could well see Chief hit the big time if this is anything to go by as their cross country influences make this the best of both emotional folk and feel good rock. A brilliant combination of layered guitar work, soft harmonies and dramatic song structure make this album a must listen.

9/10

Also published on www.virgin.com

http://www.virgin.com/music/reviews/chief-album-review-modern-rituals